Production Company | Project Name | 2023
Lead Actor
Production Company | Project Name | 2023
Lead Actor
Film
Production Company | Project Name | 2023
Lead Actor
Mathew is an actor who has taken the scenic route on his way to being based in South West London. Originally from South Africa, Mathew has also lived in England, Canada, and Scotland, making answering the question "where are you from?" much more difficult than it has any right to be.
Mathew recently completed his Master's degree in Classical and Contemporary Text at the Royal Conservatoire of Scotland and is excited to be dedicating his time to pursuing a career in acting. Mathew has also achieved a Bachelor of Arts (Honours) in Drama from Queen's University in Canada
Among many other things, Mathew has a passion for immersive theatre, the writings of Friedrich Dürrenmatt, and mangoes.
2010 - present
2010 - present
Height: 5'11"
Eye Color: Blue
Hair Color: Brown
Playing Age: 20 - 32
Location: Glasgow, UK
Real: Live! * | Royal Conservatoire of Scotland/On the Verge Festival | 2017 | dir. David Wood
RoyJoy
A Midsummer Night's Dream | Royal Conservatoire of Scotland/Bard in the Botanics | 2017 | dir. Hugh Hodgart
Bottom
Stage
Happier or Better? * | Royal Conservatoire of Scotland | 2017 | dir. David Wood
Ensemble (Kate Voice 3, Peter, Simon, Alex Voice 3, Father)
Osric Omand and the Story of Hope | Royal Conservatoire of Scotland Bridge Week | 2017 | dir. Joseph Emms
Hans & Sarcor
Troilus and Cressida (scenes) | Shakespeare's Globe Higher Education | 2017 | dir. Nick Hutchison
Aeneas & Servant
The Ends of the Earth | 5th Company Lane | 2016 | dir. Luke Brown
Henry Walker
Re:Vers * | Riot Theatre | 2015 | dir. Rachel Manson
Peter
In Sir John A.'s Footsteps | SALON Theatre Productions | 2015 | dir. Paul Dyck
Sean Donnelly (understudy - performed)
Autoshow: Legend * | Convergence Theatre | 2015 | dir. Aaron Willis
Dan
Silver Dagger | Domino Theatre | 2015 | dir. Mike Sheppard
Tony
The Play of Mary Magdalen | Queen's University Medieval Theatre Studies | 2014 | dir. Peter Cockett
Simon Leprous
Don't Dress for Dinner | Blue Canoe Productions | 2014 | dir. Mike Sheppard
Robert
The Condition: An Immersive Adaptation of 1984 * | Colliding Scopes Theatre | 2014 | dir. Evelyn Popiel & Victoria Condlln
CounterFit Leader
Pleasant Pudding * | Vogt Studio Series | 2013 | dir. Sara Chiodo
Lord Featherbottom
Existere XIX | Queen's University Student Life | 2013 | dir. Daniela Cerrone, Alex Martin, & Cameron Horack
Ensemble
An Awfully Big Adventure: An Immersive Adaptation of Peter Pan * | Colliding Scopes Theatre | 2013 | dir. Aimee Bouchard & Elixabeth Traichus
Slightly
Macbeth | Queen's Vagabond Theatre | 2013 | dir. DCorey Stewart
Ross
Osric Omand and the Story of Hope | 21st Century Cox | 2018 | dir. Joseph Emms
Hans
Crumbs | Royal Conservatoire of Scotland | 2017 | dir. Julie Sande
James
Code Breakerz II | Breathe Entertainment | 2016 | dir. Jordan Masterson
C+
Film & Television
Life Forms | Royal Conservatoire of Scotland | 2017 | dir. Robin Boreham
Cashier
* = World Premiere
Commercials
Coroner's Report | Improbable Escapes | 2016 | dir. Melissa Eapen
Doctor
Education & Training
MA Classical & Contemporary Text (Acting) | Royal Conservatoire of Scotland | Mark Saunders, Eve Jamieson, & Marc Silberschatz | 2017
Movement Devising Workshop | Blood of the Young | Paul Brotherson | 2017
Shakespeare's Globe Residency | Shakespeare's Globe Higher Education | Nick Hutchison | 2017
Contemporary Greek Chorus/Movement Workshop Residency | Company of Wolves | Ewan Downie | 2016
Movement for Actors Workshop | Kick and Push Festival | Charlotte Gowdy | 2016
BA (Hons) - Drama | Queen's University | Craig Walker | 2016
Basics of Clowning & Devising | Queen's University Drama 400 | Michael Keene & Julie Salverson | 2016
Mask & Mime | Queen's University Drama 323 | Greg Wanless | 2015
inForming Content | Volcano Theatre | Deborah Pearson | 2016
Authenticity and Screen Acting | Act & Shoot Edinburgh | Helle Hang & Monja Prokscha | 2017
Other Skills & Experience
BASSC - Broadsword (Distinction)
Devised Theatre
Immersive Performance
Coin Tricks
Devilstick Juggling
Hyper-Flexible Upper Body
Lecoq (Basic)
Laban (Basic)
Character & Neutral Mask
Drama Workshop Leader
Puppetry
Macbeth | Queen's University Dan School of Drama & Music | 2016 | dir. Kim Renders
Assistant Director
Director Credits
Legacy: An Immersive Adaptation of The Great Gatsby | Colliding Scopes Theatre | 2015
Co-Director
The Importance of Being Earnest | Queen's Vagabond Theatre (Apprentice Cast) | 2014
Director